Decolonising Our Vision of Nature

This interview with photographer Roberto Huarcaya was conducted in conjunction with an exhibition that brought together three photographic series – Amazogrammes, Andinogrammes and Océanogrammes – presented at the Rencontres d’Arles in summer 2023. A key figure in contemporary Peruvian photography, Roberto Huarcaya gave the public the opportunity to immerse themselves in images of forms - sometimes recognisable and often indistinct–which were captured on photograms several metres long that depict the Amazon rainforest, the ocean, and even dances. In this interview, he discusses the limitations of the camera when faced with the profusion of Amazonian life, the extreme diversity of the ways to understand the region, and the role of the image in our post-colonial world.

Raul Garcia, Roberto Huarcaya travaillant de nuit, réserve nationale Tambopata, Pérou, 4 août 2022. © Raul Garcia, réserve nationale Tambopata, Pérou

Roberto Huarcaya holds a degree in psychology from the Catholic University of Peru, and studied film and photography at the Centre for Video and Image. His work has been exhibited at the Maison Européenne de la Photographie in Paris, the Fine Arts Museum in Houston, the Fototeca Latinoamericana in Buenos Aires, and the Museo Universitario de Arte Contemporáneo in Mexico City, among others. He has taught photography at the University of Lima and at the Centro de la Imagen, of which he is founder, and was its director until July 2022. In 2024, he will represent Peru at the Venice Art Biennale.

Citation: Roberto Huarcaya, Teresa Castro, Estelle Sohier, « Décoloniser le regard sur la nature », Transbordeur. Photographie histoire société, no. 8, 2024, pp. 112-119.

Transbordeur
Annual peer-reviewed journal